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Growing up in the Market Place March 23, 2009

Posted by Liz Mead in Matters Blue.
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I don’t like the murky boundaries between personal and organisational life.

I don’t mean the often discussed “work-life balance”. I mean the situation when the behaviours that are appropriate in the personal sphere are mindlessly and expectantly transported into work and they just don’t fit.

We make friends at work because we spend the greatest amount of time there, but we often can’t maintain friendships through a work environment because of different “agendas” and motivations.

We also can’t expect to have friends with people at work unless the organisational status is in the same stratosphere. Someone gets ahead in the company because they are more skilled, more ambitious or perhaps because they knew how to source the support they needed.

Likewise that support team, often sourced from their “friends” complied with their choices for progress – many times because the supporter got to “piggy-back” on that relationship. This translates to a favour here and there a chance for promotion or an opportunity that might have been given to another. For the supporter it’s an investment strategy, for the progressive one it’s payment- in-kind.

The thing we can’t maintain, however, in this finely tuned exchange of energy, is the illusion of friendship. Personal comments and opinions are affected, the level of consistency and care varies, the quid-pro-quo invariably gets short of quo.

All of a sudden there’s an “ask” but no “reply”. There’s a “demand” but no “supply”, the relationship has changed. And someone feels hurt. It’s at this point that it gets messy.

Because we don’t grow at the same rate, and we don’t want the same things, the demander gets out of cycle with the supplier. He or she still moves on their projectile to their goal. The problem is, the supplier has changed their destination and they’re not on the same route. Because their job isn’t as all-consuming or singular, they’ve diversified. They’ve got more time for personal activities and pursuits and they’re not available, on-tap to supply the demander anymore.

This might come in the form of an overt disagreement or objection, or a failure to support the new direction. When they are now held to account for their objectionable response the supplier is resentful. If you didn’t want the answer, they intone, why did you ask the question?

On the other hand, the demander has often fed off the supplier; for ideas, for support, for motivation, for encouragement. Instead of sourcing that internally for their own self-efficacy they out-sourced it – a quicker more economical choice. Now that the source has dried up, the demander is at a loss, and resorts to the time-worn script and illusion of “friendship”, and it gets “personal”.

“Personal” for a demander, however, comes with all the organisational sway at their command. Opportunities, requests, outcomes – the ball has always been in their court because they call the organisational shots. So what’s the answer?

Grow up.

The only thing we have any control over are choices and relationships. We need to be clear on every choice we make and every relationship we invest in. If our investment strategy changes we should be clear on that. And if we don’t seek favours or opportunities unless we’ve rightfully earned them, then we can rest easy.

We choose for ourselves, what we want to personally achieve. At some stage, every supplier and every demander will get a wake-up call. Perhaps they’ve not been “mindful”. Perhaps mistaking organisational behaviour for personal friendships they’ve misinterpreted relationships and been hurt or frustrated that the old modus operandi doesn’t fit. Perhaps a new player in the relationship has tilted the balance.

If we’re grown-ups we will behave in each sphere with appropriate behaviour with no need for manipulation or guilt or carrot and stick, or disguised favours. And for god’s sake! Can we be honest with ourselves! If we are honest there’ll be no need for tedious, predictable office politics that permeates every level of every organisation like some B grade Hollywood series.

If we can be honest and support each other in a proper and equal way – each to their own, for their own, on their own – we might all get to grow up through o+ur working life as we expect to do in our personal one.

Ring them belles…ya gotta… February 26, 2009

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It’s the end of the month and I just trawled through the Spam queue associated with my last post. I don’t know if I’m frightened or exhilarated.

I don’t know how Spammers spam, and I dare say there is an automated something that does the thinking for them…but something in the title or the content triggered a surfeit of the weirdest “stream of consciouness” one has ever read. It would have made Joyce’s Ulysses proud! Or in the very least provided the starting point for an excellent porn script.

I got a message from one of my readers today. What the?!! I have readers???

Well, in all honesty, the “reader” is a dear friend I met in my workplace who has kept in contact.  As a thoughtful, clever young woman – whose finest gift is Love-ability - this  friend, Belle let me know she was reading and enjoying such spam-worthy words. Bring it on Belley-Mac-Bellestar!

I was gratified. Belle knows how to write.

My posts are now punctuated, as if on an internal bio-rhythm, by the month. As if magically, there is a yearning to spout some new thought, frame it reasonably sensibly, and then shape it into a manageable structure, to send out to the void. God! I think that was a line from a hollywood movie that featured online communication. Save me from filmic cliches! Is my porn-inducing script just the beginning?

What the hell. Cliche, smeeshay (yiddic type word spelt phonetically). I am as cliched as they come.

I have just joined a local theatre and am about to audition for a middle aged woman’s role!

Therefore, of course, I watched the Oscars because they were on.  At this point it wasn’t too dificult to connect the timing of the Oscars with the grand conjunction of my own thespian pursuits (enough to make any decent  astrologer blush).  I had to watch them.

  And just to add cliche to smeeshay,  I then followed up with a dose of  “Tootsie” out of my DVD collection. Of course this was just to ensure I was wholly in the mood for my new life as a suburban star… (Please note, with all due respects to Dustin- God! isn’t Phillip Seymour so much better – Hoffman, that does not make me a drag queen, or a nun-botherer!) ….  Sigh.

Soooooo – no great thoughts this month. It’s Dad’s birthday tomorrow.. I’m gratified that I can memorise 2 monologues a 24 hour period, and I am feeling pretty chuffed about most of my life.

loveya belle thanks for not being spam xx

There is a crack February 2, 2009

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Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in

So goes the  Leonard Cohen Anthem. Cohen is a doyen still performing in his 70s, whose poetic alchemy is so strong and message so sustainable, that a brand new generation is in love and profoundly. But what of this light?

Another excellent artist, James Gleeson explains it as an integral ointment to the process of painting:
If the Light is right the darkness will remain
to hold the form in stasis.
Something will be that had not been before

As a amateur painter I can relate to the Gleeson, as a broken individual I am addicted to the Cohen.

I paint to retreat and make meaning of things.  Right now I’m painting a scene on the river at Woy Woy on the Central Coast of NSW. The painting is of the home of my grandparents.  A retirement home they gave up, when they moved back to Sydney to look after us following the death of my mother.woywoy1 My need to paint this scene, is parallel to my need to make sense of what home means.

The unfinished work sits on an easel in my spare room. And it’s as if there’s a presence in the house. As I pass by the open doorway and look in, it stares back. And I wonder – is it working?  Should I stop now when the potential is still there, before I stuff it up? Do it like it? Would I know?

Undertaking the actual painting is like navigating a battlefield – one part of you motivated and defending the perfect vision of home, memory, life and loss. The other part, questioning and criticising your choice of colour and topic, and always with the eternal chant, “You’re not a painter”, “You’ll muck it up, you know you always do”…crack..

To add insult to injury, watching the progress of a painting is like caring for the wounded. Wandering the corridors with a lamp, you’re motivated by care, diligence and hope.  Wanting to keep it alive, to rub it back, add more and then take off some.

And compelled at the open door, as if addressing an ailing patient, you whisper aloud, “You certainly made the right choice adding in that central focus point”.   “You did well with the tone and depth”. But always when you turn away, if you’re honest, you’ll admit it could just as easily turn septic with the next encounter.

And it can happen at any time. These mistakes that take us on a certain path, unlike the one we started out on, these are the cracks and breakages and they are part and parcel of the artistic – healing process. Gleeson writes,

From the known a newer resonance
shaking old doors open to a separate incarnation

Last week I got an email from my niece, Georgie. Along with it – she’d attached the copy of a beautiful painting she’d silk-painting-3just completed. It was the way she processed the loss and separation from her long-time boyfriend. The work was done on silk, full of abundant flowers – each with a symbology of loss, meaning, honour, fidelity and care. Not the work of a depressed woman – but certainly the work of a mind-ful one.

George stayed with me following the death of my husband a couple of years ago. She’d graduated and had given herself a year before applying for college. Most nights we’d sit out on the veranda talking. We spoke about life and hope and loss. We talked of death and battlefields and of caring for the wounded.

As much as you would hope it wouldn’t happen to an 18 year old, she had lost a friend in a car accident only months before and had  seen it first-hand.

Georgie painted her way out of that grief as well.  Embellishing a plaster cast she had made of this girlfriend’s torso some weeks before the accident It was a living canvas – potent with life, as it should be when you’re 18. And it was now frozen in time, attended to by the painter. So she took that cast and painted it with decorative meaningful emblems and gave it to the girl’s mother.  The act was classy, brazen and inspired by love.

There is a crack, a crack in everything
That’s how the light gets in

For you darling G

Making friends with the dark side November 27, 2008

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A couple of times lately I’ve been forced to admit openly, I have a shadow side. And it’s well and truly alive.

Nothing new about that concept.

However, this last week in particular has led me to ruminate why it is that some people have a genuinely sweeter nature than others.  Kinder, thoughtful, empathetic – you know, all those qualities your parents and teachers tried to instill in you and those you and your therapist(s) tried to re-activate or even find!

One expects to find those qualities shining brightly in younger people – merely because life knocks most of it out of you the more years you stay walking on this planet. And of those older people – my peers and older - who  still manage to hold onto the qualities, well they’re one step away from sainthood.

This week just gone, I farewelled one of the sweetest people I’ve ever known. No she didn’t die but she did change jobs and after 11 or so years it felt like a little death. We’d traversed so much landscape together, she was there for me at my nadir and I trust, in some small way I have been there for her at her lowest point.

I admired how she left. A lot of us would skulk away, shunning those who treated us badly and leaving the rest with a gaping hole (given that we are soooooo fabulous, they won’t realise what they’re missing till I’ve gone!).  I know I would do just that. I couldn’t risk finding out how few people actually liked me. I couldn’t face the fact that only the die hard loyalists turned up to my farewell. I have tried it before, and there was only a handful – so I’m right on that score.

But in the case of my friend – there were all staff emails, there were enormous group bbq’s there were farewell afternoon teas, dinners; it was as fine a farewell as any of Nellie Melba’s. And she deserved every one of them.

When we are couragepous to mark significant moments like departures, we give ourselves a great gift – the gift of love. We acknowledge our own splendidness and we play it out on whatever stage we strut our stuff.

When we are not courageous, we remain skulking in the shadows. Afraid of rejection and afraid of love. And in that shadow we make friends with the dark. We believe, often erroneously that we belong there.

When you are there, though, it gives you a great chance to make peace with what you find there. Your own dark thoughts and bitchy behaviour, your limiting beliefs and fear. You also great a great view of the light - In its absence.

Whether you can step into that light, spotted at times of transition, is merely a matter of choice and courage. Friends like mine however model it well and give me a gift far beyond the norm.  A lesson on living well.

All the best dearest s.t.g.

About Dad November 9, 2008

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We had a reunion yesterday. It was also Dad’s anniversary.small-dad

My brother gave us a gift of photos – scanned from a box of old slides he’d collected from the family home. Most of the slides, he reported, were mouldy and useless, but he had managed to salvage a collection that he was able to digitalise.

My brother is one of the kindest people you could meet. Unlike me, his older sister whose response to life is sharp (alas more acerbic than insightful), Chris has a gentle spirit that doubles as a spiritual balm. Don’t get me wrong, he’s no saint – he’s a soldier and a guardian of memories.

The photos are rich and loaded with such balm. As he showed us the show, from his laptop, amidst the glare of an overdue sunny day, we caught a glimpse of a past.
 
Some images were in shadow with only a hint to their identity – was that Marie? No that’s Gel – see on the left, what was her name?  Others were so fragile and ethereal as if painted on rice paper, torn at the edges and only just able to hold their colour. And some, as if painted on a still wet canvas, pulsated redolent and vibrant, transporting us immediately to that shared place in time.

A time shared between us as an immediate family but also shared across our extended family of cousins, aunts, uncles and grandparents. So there we were gathered around a laptop in a sunny park on a picnic 40 years after most of the photos were taken.

The reunion was organised this year, 2 years after our inaugural one, by my cousin, also called Chris, an equally heart-centred person to my brother. She is mid way in a larger family, and the same age as my older sister. There was always a cousin who was the same age as someone else.

There were shared birthday parties, Christmas parties, picnics, and religious rites of passage. And there were shared and common Grandparents who were central to the concept of family; they were formidable, immovable and almost sacred in our collective identity.

Dad had clearly started photographing after the death of his wife, for we couldn’t find any photos our Mother. I can relate to his strategy – capture everything you see, try to figure out what it is you’re seeing and then figure out whether you want to be a part of it.family60s

I’m glad he did. I’m glad he thought we were important enough to photograph. I’m glad he came back from the abyss that goes hand in hand with death, an abyss so beguiling so tempting you want to fall headlong into it. I’m glad he wanted to come back to us.

My brother is like my dad. They look like each other – so says my cousing Brian and he should know he’s a great observer of life and people. I agree with Brian. And I’ll go one step further and say my brother is like my dad in intention and drive. Attending to the bones he trawled through a record of life – our life – and brought back the pearl of great price. A testament to love.

I am profoundly grateful to you darling bro. I love you.

Happy birthday September 23, 2008

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When Bloke and I shared an early birthday years ago – his in September and mine in October- I commissioned an astrological (natal) chart for us both. It was done by a delightful guy from Queensland, David, a friend of my sister. I listened to it yesterday, in my car, whilst driving to work.

A Natal chart shows the planets in each of the 12 houses governing our relationships, our careers, our family and our home etc. As a Libran coming up to a birthday this month, it was like listening to a report card at the end of term.

Am I doing well? Meeting my potential? Have things happened the way they should, the way he said they might? Is there anything in this science of the stars?

My own proclivity for things “other worldly” apparantly grows out of some innate skills I was born with – psychic and intuitive skills and a strong connection to higher learning or arcane wisdom. I believe these skills get a “kick along” as a result of events in life that skew, threaten or validate our belief system. Transforming events like marriages, like deaths, like separations, or fortuitous events that guide or help us further along the path and push us up or out to another level. Events that align us to a truer purpose or message.

Librans are all into alignment – we like to balance, straighten, organise and collaborate to get things right. There’s a bunch of us at work, all coming up for birthdays this month ( proof  that the traditional Christmas holidays, occuring 9 months before, are an annual festival of baby making across all generations).

Yesterday, I met with one of my fellow librans and 2 librarians to talk about a collaborative knowledge and research program using Wiki technology Our aim is to build on the information associated with one person and one event, so that the organisation creates a storehouse of connected ideas and stories, threaded together as knowledge.

Some spiritual practitioners believe there is compendium of arcane wisdom referred to as the Akashic Records. It is a warehouse of wisdom, life purpose, lessons and stories lived by the brave souls who trod the earth one day light years before and after us Yet, we get to tap into that shared wisdom through our dreams, through divination; they appear as flashes of insight, archetypal art and myth or random co-incidences and events of synchronicty.

I’ve always found Librarians to be a “higher form” in the workplace. I find them gentle, clever, kind, insightful and generous, in pursuit of truth and knowledge. There’s something noble about that pursuit.

Our librarians live in a glass library. Above the library a void reaches skyward, passing through, and surrounded by 3 floors of open-space-workstations, in other words, there are no walls anywhere.  Central to the building, the library is a testament to learning and education. In reality, these poor darlings who work beneath the void, are battling noise overload, as they sift  through the  brittle static and crackle that comes with worker conversations in the air above and around them.

So as I listened to the whirring crackling noises emanating from my car tape deck this morning, I sifted through the  information housed in this astrological reading. David, although a young man, has also died  in the ntervening years. And as his voice reached me over the air waves, making predictions based on my natal chart, I got a chill. Yes, he portentiously predicted the inevitable separation of a significant man in my life 11 years from the date of the recording. 

But in that whirring and crackling noise that accompanied this kind and encouraging reading, I realised we’re all connected in cycles, waves, sound, light, learning, truth and knowledge. The wisdom plays out through us, around us, in us and over us, again and again and again.

So to all my libran companians and all the splendid teachers and wise librarians in the world, may your road be wide and long and bring you home safely and wiser for the journey you’re on.

Making magic magical and work workable September 1, 2008

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I have a visionary friend: an entrepreneur and a cultivator of talents in others. He sees what others can’t sometimes, because he works with generosity and talent and he takes his time. And I have a talented friend who is caring and nurturing of others. She works often “unwitnessed” to change the lives of others in tangible and sustaining ways.  One day I brought them together and we made magic.

I like to think of my friend, James being at the pointy end of communication. He uses new media to sharpen and re-work old practices.

For instance we have the age old practice of needing to inform others of something newsy. But our audience is either  chasing a clock or moving around so much we can’t reach them. We get our information “on the run”.  There’s nothing new here, but James has been mulling over the idea of using new media in a sustainable way within corporations - enabling them to run it for themselves. Visionary and nurturing. It makes good business sense as well.

My friend Martha is at the  educating end of communication, perhaps even the “warm and fuzzy” end. As an entrepreneur, she works for herself. Her services utilise programming techniques like Neuro Linguistic Programming (NLP), hypnosis, time-line therapy, huna, engagement skills, selling skills and stories to help others remove barriers and limiting beliefs to get them out of bad habits. In this way she helps them improve their performance across all facets of their life. And to be free of the need for trainers and coaches like herself.  Nurturing and visionary.

Last friday we bought the two together and made a series of podcasts at James’ fabulous network studio. And voila the first of a series of great talks is avaliable on his Lifestyle PodNetwork. The podcast is called Making Work Work. Its core message is to enable people to get over the barriers they put up, and reach their true potential. By putting these two people together, James got to push Martha’s message out to more people in a new way.

Who yet knows who will listen to this new podcast? Who will subscribe to  Making Work Work? Is it a niche market of  trainers? HR Specialists? Or is it a technical savant checking out the latest podcast products? Or is it the person, chasing the clock, driving home listening in their car and questioning why they even went to work at all – given the nightmare day they’ve had! Whoever it is,  they get to hear some profound and helpful messages in a digestable time savvy way. 

I love to work with James. I rush in and he waits. I keep hitting my head against a brick wall, because people aren’t ready, are too scared, don’t understand, or it’s a lousy idea…. whatever. On the other hand, James prefers to envision a project from start to finish  even before he takes the first step. When he steps though, it is fast, and appears to the outsider, in this case, Martha, as seemingly effortless.

By now I’m quite used to how he works. It’s as if he gestates ideas,  Sometimes there’s no sign of movement,  as if in his Leo-nine way, he’s lying asleep in the sun,  with only a flicking tail,  waving away the flies who buzz:  ”is it ready?” “What do you think”, ”should we do it now”, ”can you fix this here” “can you do that over there” What about a blog for the boss?”, ”what about a new website to fix communication”, ”what about…..”.

He stays quite still, non-reactive, thoughtful. Nothing for a while, then springing into action, he lifts off with a comprehensive leap right across the program: to link this to that, put that over there, move that piece under there to shift this one over here. And it works, because it’s been mulled over, chewed over, sat with and envisioned. If you ignore the flies, you save your energy and secure the entire carcass with one big bite!

That’s why when Martha arrived at 9.30 in the morning and left at 4.30 that afternoon, with no idea of what a podcast was, let alone what she’d say, and how it was done, we were able to record 5 engaging, interesting and believable shows with cogent messages, branded, posted and live by the start of the next day. Inspiring, easy and fun.

I am looking forward to the new communication podcast, he and I will be recording each Friday. It’s linked to our Working with Sparkle blog. We are meeting together at the end of each week to discuss the week at work – what we did, how we did it and whether it worked. A sort of a week wrap. I’ll probably buzz like I always do, and he’ll probably ruminate like he always does.  By looking at the week just gone, we’ll keep it  anchored to stuff that resonates with other practitioners. We’ll keep it real. 

A sort of magical reality, though.

Counting to 50 July 12, 2008

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This afternoon I took tea at the Queen Vic with my gorgeous gal-pal-paola. What a well spent afternoon.

Paola is a gifted film maker, writer and human being. She is also – and I’m sure she’d concur- a little on the looney side; mind you no closer to or farther from madness than me. A delightful divine madness in pursuit of pure spirit, less ego, forgiveness, truth, patience, authenticity and lasting love. A quest to last a life time.

I asked to meet her because I am nutting out an idea of interviewing some people for a book. It was a fruitful meeting where she helped me understand the logistics of delivering and shaping a potentially great idea. In other words, she kept it real.

She’s in love – which provides an inspiring and delightful mind-set. All possibilities are welcome, all dreams are possible, all reality is sweeter, finer and all feelings are transcended. Of course one also resides in a state of suspended horny-ness. I wish her much of this state, much lasting love and a strengthening belief in her self as a result of the alchemy.

The stories we tell ourselves about the lives we lead can provide a rich vein of wisdom and analysis. They become heightened with seminal moments such as falling in love. What a great way to find out more about each other – “Tell me the story of your life”.

But Is that story of that life of interest to others? Is all of it, or part of it more interesting. Does it make the “big” lessons more understandable because of the narrative?

There’s plenty of research that such a process provides insights into thematic “clusters”, trends, blocks, oversight, obsessions and the great “unsaid” of our lives. How splendid to gather the stories of others. And is it possible to then re-tell them and keep it honest. Don’t we filter? Dont we assume?  Don’t we cloud it with presumptions of what would be interesting to others – clinical analysis of someones disclosure.

This was the challenge I set my darling Paola – and she came up with some very profound insights – I expect because she’s living her life -  in line with the “narrative arc”. There is the right amount of drama, challenge, quest, faith, longing and inspiration.

Painting April 26, 2008

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I paint. I paint with oils, acrylics and watercolour. I guess my favourite medium are oils – because they are so seductive. Depending on the medium you use, you can get all sorts of transparent and rich colours.

Right now I’m wrestling with 2 paintings. Both are based on photos I took on a recent trip. The wrestle is with the process and I guess the outcome.

My problem is that I don’t want the work to be a replica of something I saw, yet I do want it to replicate what I saw – if that makes sense. The images that are pre-occupying me are steps that lead into the water. In both, the water seems so mysterious: one is slightly more bouyant or playful and the other receding with the tide – revealing the rich variegated stone patterns beneath.

I work with the forms yet all the time resisting them. I want to shape and push the forms, to stretch them so they don’t resemble the starting point, and then reconfigure them to make sense of the whole picture. This means continually massaging how they relate to each other on the canvas. I enjoy the colours, the balance, the solidity and fragility of some elements – and have immense fun with the texture of the paint itself. Yet I wrestle with the fact that it should look more like life, more like the original picture, more like reality.

People who see my work – describe it as impressionistic.  Is that because I can’t reproduce forms realistically? The reason they say this is because each painting has a feeling of transience and movement.  I also think they are impressionistic because I use the knife more often than I do the brush.

Another pecadillo, if you like is a lack of planning. I prefer the painting to emerge as I go along. I like to be suprised at what the painting process delivers – almost magically. It may not resemble the starting point much at all, but it comes to a point when the work is finished and I’m happy to let it go as an impression of the starting point.

Nearly every time I look at my work I feel good about it and about myself. Which is a world away from what I was like when I was a teenager or young adult. In fact, I would recommend painting for all depressives and those working on the renovated self. It’s a great way to fall in love with life and with your participation in it.

I knew a woman once, whom I thought was quite a gifted painter. I couldn’t understand why she judged her work so harshly, refusing to pick up the brush for many years after a “bad” experience (ie a painting she didn’t like). I’m not saying don’t strive for perfection, but really - the world is full of critics enough, why would we add another one to the equation?

Yes, I love the process and I do like the workat each iteration. I like its boldness, the “painterly” (as a teacher once described it) style, which I think just means the fact that I’m not afraid of using a variety of and large amount of paint.  In fact I relish in it. Bloke used to find the “mark of bubba” everywhere around our house. A smear of paint on the light switch, on the fridge, on the phone and of course on every wall along my path.

He would be frightened of the work. Not because of the mess, but rather frightened for me I think. He’d notice when the perspective was wrong, or the composition didn’t resemble reality. He thought I’d be disappointed at the end. Of course he was projecting, and when I asked him why he didn’t paint, given that he was an excellent draftsman, he told me that he was too scared. He would spend so much time planning what to paint, that he would become too intimidated to begin – in case it didn’t work out.

I guess I get scared too. Scared that it will end up looking like crap. But I push on through that, it happens about a third of the way through the painting’s life cycle. And I remind myself that crap is all relative. One person’s crap is in fact another person’s delight. Last week I dreamt someone commented on my painting to the effect that “It looks like shit”. “Exactly what part of it and what sort of shit?” I asked in the dream. At the time, I put it down to a heavy night on the turps (booze that is)  because the painting resembled a truncated intenstine, and I did feel like shit the morning after.

So I’m writing this while my two (yet to be finished) paintings dry. I’m writing it to remind myself that the process is incredibly rewarding – with fresh discoveries all the time. And I’m writing it to remind myself that the process itself is a way of wrestling with my own way of seeing the world - ”In real life” or in my head. The view in my head is like “real life” but is mixed up with all the excitement of other inflluences.

Farewelling my sister on this morning’s flight to Hong Kong, and then onto Budapest; cleaning the house and washing the linen in preparation for interstate friends; getting ready for dinner with a close friend and her guests tonight, and remembering how sublime the Merchant Ivory production of “Howard’s End” was last night.

Yes, all of that has an effect on whether I see the water as emerald or mauve, and whether I paint the stones with a dab or a dash and just how much paint - that I’ve just plied on  do I now scrape off – in order to give a sense of well trodden steps.

Magical.

 

 

Deep solitude March 27, 2008

Posted by Liz Mead in Matters Blue.
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burdel-marseilles-03634.jpgI did a reading this morning. A tarot reading.

I’ve read the cards for over 30 years and use them to focus and believe.  Not because they have any power, but because I believe in the combined wisdom and history they represent.

I used the Grimaud version of the Tarot of Marseilles. A modern issue of the deck that evolved in the south of France in the 18th Century. The oldest deck is from Italy and dates back to 1450, drawn from a number of fragmented decks and commissioned by the powerful Visconti-Sforza family of Milan. I’m very excited to be visiting Milan soon, and hope also to visit the Accademia Carrara in Bergamo to see the oldest deck on display.

My reading this morning though was done with the simple blue yellow and red deck of the Marseilles variant. I like their simplicity. I think it makes it easier to focus on the associated and traditional meanings rather than battling some obscure symbology stuck on by a well-meaning occultist who had a penchant for wolves, blood, Indian headpieces or fairy wings.

The Tarot of Marseilles requires an unguarded approach. I started the reading with the Emperor and finished with the Empress. No prizes there for the question I asked was related to the work I need to be doing in the world.  The Empress is my card of choice, the self-sufficient artist at home creating from the earth what she needs. Gaia, Mother, delighting in her own creations – giving birth to her future.

The next card, the 4 of Pentacles was matched on the other side of the reading by the Moon. On the conscious side, if you like, are my preoccupations with security and stability. A sense of place in the world. Finding my place. Owning my place. On the unconscious side is the dreamer, the psychic, the madness of loss and grief, the lonely path ahead, but also the creation at night from the deep well-spring. Of course I want to feel safe, but I also want the psychic freedom to create my own way forward.  In fact I dreamt last weekend of a new job (but that’s a topic for another blog).

Then I laid out my favourite Queen. She of the Cups. The manifester, the lover of the unseen magic and other realms. I think she’s  a mini-version of the Empress, though she has more of the moon-mood-altering madness than her older sister. She’s the reason I get depressed, but she’s also my muse.  She sees things as she wants them to be and intuits the next step. It seems magical from outside but its because  in sync with her own process. Matching her in the reading is the adventurous energy of the Knight of Wands.

You’ve got to love this guy. He’s the journey expert. Off on another trip, this time to Greece, Italy and Croatia. This is the optimist, the expansive energy of hope and self-belief. This energy of adventure will play a part in the quest for my work. I will journey to the work. I’m on a journey for the work. I work right now and that work is my journey.  This card always comes up when a journey is imminent. So no surprises there. dussere-dodal-03577.jpg

My final card – the answer card – was the last one I pulled out this morning. It was the Hermit. The hermit - me now in the middle of my life. The hermit needing to focus on what has meaning and what matters to me. The hermit, alone, and forced back on my own resources, free of demands, save those I set for myself.

The Hermit and the Moon are friends. It used to be my late husband, Bloke’s card.  He pulled both several months before he died. It is also the card my twin sister invariably pulls out of the deck when I read for her. Father of prayer, meditation, deep solitude and reflection.  The Hermit, representing a new way to think. Uncluttered, crystalised this sort of thinking will light the way I need to go.

Normally I’d lay out another card over the top of this one to find out more. But I think I’ll just sit with it and meditate on it. I won’t rush in to fill it up with the wrong, empty, clanging thoughts that sound like; Move now, Leave the job now they don’t deserve you, choose another job out of the paper, Seek is a website not a way of life,  that one will do – it’s close enough.

Instead, I’ll sit with it. Being still, being alone, being focused, getting clear about my way of working in the world. It will be partly magical, partly dreamy, part adventurous, part secure, part creative and part controlled. With perfect stillness and peace of mind.

Doesn’t sound half bad.